December 31 - | Annual Day |
January __ - | 5th Monthly Concert |
November 21 - 4th Monthly Concert
October 25 - Vijayadasami
August 22 - Vinayaka Chathurthi
June 22 – 3rd Monthly Concert
May 9 - 2nd Monthly Concert
April 11 - 1st Monthly Concert
Click here to play this month's quiz
Since 2017, the Geetha Vidyalaya Music School has always hosted their Annual Day on December 31 in the HOA Clubhouse in Hayward. On Annual Day, it is more than just music. It is the gathering of all the students together to have fun and enjoy themselves. There will always be fun games and quizzes after the concert. And since the program is very long, there will always be food. All the parents always pitch in to serve interesting meals at the program, and once everyone is done, there will always be ice cream to enjoy after a long day. To celebrate the ending of the year, Teacher always hands out prizes to everyone to congratulate them on a fantastic year of music.
Last year, Geetha Teacher took Annual Day even further and hosted the program with the theme of Tyagaraja. In the concert, all students sang compositions of Tyagaraja. It was concluded with Endaro Mahanubavulu, a Pancha Ratna Kirtanam composed by Tyagaraja. With the help of the GV students, Geetha Teacher also planned a skit on the life of Tyagaraja and had students play in his life story. All the quizzes were based on Tyagaraja’s compositions. Not only were the students and the parents present, but many students invited their whole family to enjoy the program with them. Many students agree that this was the best program by far.
This year, due to the pandemic, Annual Day could not be the same experience as the past years. But, Teacher still has a great concert planned for us. Annual Day is going to be a Mini Concert this year, and it will be happening online. The participating students have been practicing vigorously for this concert. We can only guess how amazing this program is still going to be!
This month, we are going to go over a ragam that every music student begins their lessons with. All students learn their Swara Basics (Sarali, Jantai, Madhyasthayi, Tarasthayi, Mantrasthayi, Dhattu varisais and Alankarams) in this ragam. Have you guessed the ragam? The ragam is Mayamalavagoula!
This ragam was originally known as “Malavagowla”. 'Maya' was prefixed to the raga name, after the advent of the 72 Melakarta scheme. This was done to obtain the number 15 to this raga by the application of the KaTaPaYadi formula. It is the 15th Melakartha ragam, third ragam in the Chakra III (Agni-go). Besides Shadjam and Panchamam, the notes take by this raga are r1-Sudha Rishabham, g2-Antara Gandharam, m1-Sudha Madhyamam, d1-Sudha Dhaivatham, n2-Kakali Nishadam.
Arohanam: s r1 g2 m1 p d1 n2 s
Avarohanam: s n2 d1 p m1 g2 r1 s
The way the notes are arranged SR GM PD NS only a semi-tonal difference between the two notes of each of the four pairs - is the reason for choosing this ragam to teach the basics for a beginner.
It is a sampurna ragam meaning all the seven swaras are present in the Arohanam and Avarohanam. In fact all Melakartha (Janaka) ragas are Sampurna Ragas. A large number of Janya ragas are derived from this Melakartha raga. A Sarva Swara Gamaka Varika Rakti Raga - meaning all the swaras can be rendered with gamaka and produces rakti bhavam. Ga and Ni are Jiva swaras (meaning they reveal the individuality of the ragam). Ga and Pa are Amsa swaras (strong and resting note). One can weave around in these notes in an Alapana. It is a Tristhayi ragam - meaning spans into 3 octaves. Compositions in this raga commences on the notes S, G, D and N. This ragam is suitable to sing at all times. This ragam is able to create a soft and soothing effect that allows others to enjoy listening to this ragam. This mela corresponds to the Bhairava That of Hindustani music.
Name | Talam | Composer | Composition |
---|---|---|---|
Ravikotiteja | Matya | Venkatamakhi | Lakshanagitam |
Tulasi Dalamulache | Rupakam | Tyagaraja | Kriti |
Merusamana | Madhyadi | Tyagaraja | Kriti |
Srinathadi | Adi | Muthuswamy Dikshitar | Kriti |
Mayatita Swarupini | Rupakam | Ponnayya | Kriti |
Deva Deva Kalayami | Rupakam | Ponnayya | Kriti |
Vidulaku Mrokkeda | Adi | Tyagaraja | Kriti |
When you are in class, Teacher will most likely teach you something new, like a krithi or a varnam, or she will review and give corrections on a current song. When she teaches something new, she sings one line, and you repeat. That is called learning. When you go home after class with the recording of what she taught you, you should use that recording to listen and LEARN the song. Teacher normally tells you to sing the lines 10 times or more. Singing and repeating those lines is NOT practice. It is learning what you have been taught, because you do not know that song by-heart and perfectly.
When Teacher has taught you a full song, given you all the corrections, and you have sung it well, you practice it. Singing at home multiple times, just to get better at it, is part of your PRACTICE. When you sing it multiple times, you must also make sure you are singing it correctly.
Quality is just as important if not more important than quantity. You must sing it as many times as needed to get it to perfection. If the practice is performed incorrectly, you will end up singing the whole song wrong meaning you will have to put extra effort double the edit to correct everything. To avoid this, you must ensure whatever you practice is the correct way and pay attention to all the gamakams and small details which is what promotes the Raga Bhavam.
Let’s say Teacher taught you a song five months ago. You sang it correctly and she finished the song for everyone.
Have you stopped practicing that song?
You shouldn’t have, because reviewing the song is important. If you go to class and Teacher asks you to sing the song she taught you five months ago, you should still be able to sing it with 100% perfection. Practicing old songs is considered REVIEWING. Everyday, you should practice 2 or 3 old songs to keep up the quality of each the piece. You must also have at least 5-10 songs that you have fully prepared and can sing anywhere and anytime no matter what. This is the amount of effort you should have put in each song.